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The AMRF Brings "Corey Harris: Journeys to Public Television

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THE NEW OFFERING FROM THE AMRF, PRODUCERS OF THE AWARD WINNING MOTOR CITY BLUES & BOOGIE WOOGIE SERIES OF PUBLIC TELEVISION PROGRAMS
TELL YOUR LOCAL STATION THAT YOU WANT TO SEE



WATCH THE TRAILER

“If you don’t have any idea where your traditions, where your culture, where your popular culture comes from, that’s a problem. That’s what makes people unique, is that knowledge about where they’re coming from.” 
From: “Corey Harris: Journeys”

 

Those of us dedicated to keeping the Blues alive walk a thin line. On the one hand the blues will never die. As Chuck D said when Public Enemy was inducted into the Rock and Roll Hall of Fame, “For those of you out there thinking ‘There goes the musical neighborhood’ let us not forget: We all come from the damn Blues.”

But in the interest of preserving the form which most all American popular music came from, Blues aficionados tend to penalize those who stray too far from it. “That’s not the Blues!” they say, as they mark down points for contestants at Blues competitions. The result too often is the casting of Blues as an ossified genre.

Finally, African Americans tend not to delve too deeply into their musical past. As Corey Harris explains succinctly, “White culture in American…likes to go back, and almost relive the past. Black folk don’t really do that. This guy came up to me one time and said, “I love this country blues so much, don’t you wish you could go back and live in 1930’s Mississippi?” Corey’s answer, as you can imagine, was an emphatic, “HELL no!”

Corey Harris knows where his traditions and culture and music come from, which is why Martin Scorcese chose him to take viewers on a musical journey from Mississippi to West Africa in “Feel Like Going Home,” the first episode of his celebrated PBS series “The Blues” in 2003.  Corey can surely play the Blues too, and there is nothing ossified about his performances. He can also play African music, reggae, soul and jazz, and he uses his mastery of the instruments, the complex cadences and rhythms, and the feelings of the music that evolved in the New World via the African diaspora to create something entirely new. Some call it “Progressive Blues.” Which is why he was chosen as a MacArthur Fellow in 2007.

Join Corey Harris as he performs solo, duets with harmonica virtuoso Phil Wiggins, harmonies with Detroit Blues Diva Thornetta Davis, and with the Rasta Blues Experience to weave an exquisite tapestry from these diverse musical threads in the AMRF's
Corey Harris: Journeys

Contact: boogie@amrf.net



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Corey Harris: Journeys Coming to Public Television

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COREY HARRIS forges an adventurous path marked by deliberate eclecticism. With one foot in tradition and the other in contemporary experimentation, he blends musical styles often considered separate and distinct to create something entirely new.
John D. and Catherine T. MacArthur Foundation, 2007

COREY HARRIS: JOURNEYS presents the singer, songwriter, and virtuoso guitarist performing solo, duets with harmonica maestro Phil Wiggins, harmonies with special guest Thornetta Davis, and with the Rasta Blues Experience connecting musical dots from Africa to the New World.

DOWNLOAD FROM NETA ON HD04, SATURDAY, MARCH 1, 1400-1500ET.

Proudly offered by the American Music Research Foundation, producers of the award winning Motor City Blues & Boogie Woogie Festival series of programs.

Watch the first 5 minutes from NETA. Watch a 7 minute sampler.

CONTACT: John Penney boogie@amrf.net

 



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R.I.P. Johnnie Bassett

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Johnnie Bassett, 1935 - 2012

A few weeks ago, as we were working to put all the pieces together for both the NETA distributed public televison program and DVD release of "Detroit Blues & Beyond," word filtered down that one of Johnnie Bassett's band mates had taken him directly from a gig to the hospital and that he was in critical care. The outpouing of prayer and support that ensued is a testament to how beloved Johnnie is but was not enough to make a miracle happen. Johnnie Bassett succumbed to liver cancer in hospice at St, John's Hospital in Detroit on Saturday, August 4, 2012. He was 76 years old. 

AMRF Board member and Producer Keith Irtenkauf shared this reminiscence:  

We had the honor and pleasure of working with Detroit’s “Gentleman of the Blues” during our 2006 Motor City Blues & Boogie Woogie Festival.  Johnnie Bassett was a soft-spoken man who let his unique guitar style and smooth singing voice speak for him.  Watching a performance dozens of times during an edit can get very monotonous, but it was different with Johnnie.  His restrained, but precise attack at the strings and his excellent lyrical timing made his set a pleasure to watch over and over.  There was always something new to see and hear, something pleasant and exciting.  Try to put your finger on his style; a bit like B.B. King, but different, a bit like Elmore James, maybe a little like T-Bone Walker, maybe a little like Jimmy Reed?  Familiar, yet totally unique, that was Johnnie.  Johnnie preferred playing deep-bodied electric guitars in a rarely-used tuning and had a unique tone that was warm and clear.  His voice was smooth and soulful.  Like many blues musicians who came up in the heyday of Detroit’s blues scene, Johnnie wasn’t born in Detroit, but was proud to be a Detroiter.   Johnnie’s just-released CD opens with a tune by the same name “”Proud to Be From Detroit.” 

Listening to Johnnie talk about his own history, you got the sense that he was proud of his musical accomplishments and that fame was not important, it was the music that was important.  Johnnie just wanted his music to make people happy.  His jump style of blues was upbeat and soulful, and his jazz chops added a precision to his guitar playing that was truly unique.

Johnnie was born in 1935 and was the son of a Florida bootlegger.   Johnnie’s family moved to Detroit in 1944 and Johnnie attended Detroit’s Northwestern high school.   It was during his high school years that Johnnie started playing guitar.  He joined the Army in 1958 and was stationed in Seattle, Washington. After 6 years in the Army, Johnnie stayed in Seattle for a while and picked up gigs.  Johnnie tells a great story about a young Jimi Hendrix coming to his Sunday night jam sessions and being amazed by Johnnie’s sound - Johnnie tells this story without a trace of arrogance or immodesty.  Jimi wants to know how Johnnie gets that unique tone and the working man musician Johnnie encourages Hendrix to find his own sound; “You don’t need to sound like me, do your own stuff and get your own sound.” 

Johnnie would return to Detroit in the mid 1960’s and was a solo performer and session musician for Fortune, Chess and Motown Records.  Johnnie played with the likes of Tina Turner, John Lee Hooker, Dinah Washington, Ruth Brown and Big Joe Turner.  Later in life, he stayed busy as a local musician gigging with Joe Weaver and Alberta Adams.  He released five CD’s and was nominated 5 times for a W.C. Handy Award (the highest Blues honor).  Johnnie was also a multiple winner of the Detroit Music Awards best blues musician award.



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Detroit Blues and Beyond: New from NETA at 1500ET on 8/31

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NEW FROM THE PRODUCERS OF:
 "ALLEN TOUSSAINT: THE SOUL OF NEW ORLEANS"
  "BIG BAND BLUES & BOOGIE WOOGIE"  "4 SHADES OF BLUES"

DETROIT BLUES & BEYOND

Exploring Detroit's Rich Blues Culture
FEED FOR RECORD FROM NETA ON HD04 FRIDAY 8/31 1500-1600 ET

ALBERTA ADAMS is Detroit's undisputed Queen of the blues. She began as a dancer on legendary Hastings Street, recorded for Chess Records, and toured with the likes of Duke Ellington and Louis Jordan.

JOHNNIE BASSETT has been nominated for 5 W.C. Handy Awards by the Blues Foundation in Memphis, received several Detroit Music Awards, and a Lifetime Achievement Award from the Detroit Blues Society in 1994. 

SIR MACK RICE was knighted by Stax Records in recognition for the success of Wilson Pickett's version of his song, "Mustang Sally." As a successful artist and writer for Stax, Mack commuted regularly from Detroit to Memphis in his Cadillac.

CALVIN COOKE was for three decades the principal steel guitarist for the House of God, Keith Dominion Pentacostal Church. He mentored Robert Randolph and has ben called the B. B. King of the Sacred Steel.

THE HOWLING DIABLOS began as the house band for legendary Detroit blues club Sully's in the 1990s, and today is one of Detroit's most renown bands with a unique, rocking funky blues style. In 2012 alone the Diablos won five Detroit Music Awards.

THE AMERICAN MUSIC RESEARCH FOUNDATION IS A NON-PROFIT DEDICATED TO THE PRESERVATION, PROMOTION, AND DOCUMENTATION OF AMERICAN MUSIC. FOR MORE INFORMATION VISIT OUR WEBSITE  WWW.AMRF.NET

Contact: John Penney johnp@illuminatingconcepts.net

 



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Detroit Blues & Beyond: The Best of Detroit

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"I think that's how most of white America got into the blues; people like the Rolling Stones saying, 'You love us so much, how can you not know about your own American blues artists who influenced us?'"
Tino Gross of the Howling Diablos in

The American Music Research Foundation's 
Detroit Blues & Beyond
Alberta Adams
Johnnie Bassett
Sir Mack Rice
The Calvin Cooke Band
The Howling Diablos

five minute sampler 

VISIT OUR ONLINE STORE

 



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Allen Toussaint The Soul of New Orleans on DPTV Saturday Jan. 21 9pm

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 Join DPTV's Fred Nahhat and the AMRF's John Penney for a special fundraising edition of “Allen Toussaint: The Soul of New Orleans” 9:00 - 10:30pm Saturday, January 21, on Detroit Public Television, WTVS Channel 56. 

Watch the first 5 minutes.

The program is the eighth in the Motor City Blues & Boogie Woogie Festival series produced by the American Music Research Foundation and the first to focus on an individual artist.

Toussaint is one of the most important musical figure to emerge from New Orleans in our time and yet a relative unknown because his accolades have come for work behind the scenes. He was cited as “the chief architect of the New Orleans sound” when inducted into the Rock and Roll Hall of Fame as a non-performer in 1998. In 2009 he received the Grammy Trustee Award, given to "individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording.” This year he was inducted into the Songwriter’s Hall of Fame.

Because Toussaint performed so rarely, no one was quite sure what to expect when he played solo on a Steinway at Detroit’s Music Hall in 2008. But when he opened the show with “Java,” “Certain Girl,” “Mother-in-Law,” “Fortune Teller,” “Working in a Coal Mine,” and, “Get Out of My Life Woman,” the gasps from the audience were audible: “He wrote that too?” Toussaint wasn’t sure what to expect from the audience either, and he was obviously delighted by the reception. The result was a relaxed, joyful, and exquisitely intimate performance.

During the on-camera interview earlier that day at Cliff Bell’s Toussaint had been eloquent and expressive about growing up in New Orleans and the city’s musical heritage. The documentary built from this interview and the performance is extraordinary, and we hope you enjoy watching it as much as we enjoyed making it.

DVDs are available at the AMRF’s online store.

Listen to John Penney's "Jazzfest Detroit" Saturday's 7-9pm on 90.9  WRCJ FM Detroit, a joint service of Detroit Public Schools and Detroit Public Television



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New from the AMRF: Allen Toussaint the Soul of New Orleans

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TO OUR FRIENDS:

 

“Allen Toussaint: The Soul of New Orleans” is the eighth in the Motor City Blues & Boogie Woogie Festival series of public television programs produced by the American Music Research Foundation. Watch the first five minutes here.

 

Toussaint is one of the most important musical figures to emerge from New Orleans in our time and yet a relative unknown because his accolades have come for work behind the scenes. He was cited as “the chief architect of the New Orleans sound” when inducted into the Rock and Roll Hall of Fame as a non-performer in 1998. He received the Grammy Trustee award in 2009, given to "individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording.”  This year he will be inducted into the Songwriter’s Hall of Fame.

 

Because Toussaint performs so rarely, no one was quite sure what to expect when he played solo on a Steinway for us at Detroit’s Music Hall in 2008. But when he opened the show with “Java,” “Certain Girl,” “Mother-in-Law,” “Fortune Teller,” “Working in a Coal Mine,” and, “Get Out of My Life Woman,” the gasps from the audience were audible. “He wrote that too?”  Toussaint wasn’t sure what to expect from the audience either, and he was obviously delighted by the reception. The result was a relaxed, joyful, and exquisitely intimate performance.

 

During the on-camera interview earlier that day Toussaint had been wonderfully eloquent and expressive about growing up in New Orleans and the city’s musical heritage. The documentary we have built from this interview and performance is quite extraordinary, and we hope you enjoy watching it as much as we enjoyed making it.

 

If you like what you see in the first five minutes, please share the video with friends, and let your public television station know that you want them to broadcast “Allen Toussaint: The Soul of New Orleans.

 

DVDs are available at our online store or by calling 866-270-5141.

 

 

 



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New from the AMRF "Allen Toussaint: The Soul of New Orleans"

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“Allen Toussaint: The Soul of New Orleans” is the eighth in the Motor City Blues & Boogie Woogie series of public television programs produced by the American Music Research Foundation and distributed by NETA (ATNO 00H1, 60min, HD, feed on 4/25 @12noon ET).

 Toussaint is one of the most important musical figures to emerge from New Orleans but still a relative unknown because his accolades have come for work behind the scenes. He was cited as “the chief architect of the New Orleans sound” when inducted into the Rock and Roll Hall of Fame as a non-performer in 1998. He received the Grammy Trustee award in 2009, given to "individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording.”  This year he will be inducted into the Songwriter’s Hall of Fame.

 Because Toussaint performs so rarely, no one was quite sure what to expect when he played solo on a Steinway for us at Detroit’s Music Hall in 2008. But as he opened the show with “Java,” “Certain Girl,” “Mother-in-Law,” “Fortune Teller,” “Working in a Coal Mine,” and, “Get Out of My Life Woman,” the gasps from the audience were audible. “He wrote that too?”  Toussaint wasn’t sure what to expect from the audience either, and he was obviously delighted by the reception. The result was a relaxed, joyful, and exquisitely intimate performance. The capture was brilliantly orchestrated by award winning Director Mark Haney .

 During the on-camera interview earlier that day Toussaint had been wonderfully eloquent and expressive about growing up in New Orleans and the city’s musical heritage. The documentary we have built from this interview and performance is quite extraordinary, and we are confident that it will resonate with you and your viewers.

Watch the first five minutes of the program here 

If you have any questions or if there is anything we can do for you, please write or call anytime.

 Thanks,

John Penney
Director
American Music Research Foundation
30733 West Ten Mile Road
Farmington Hills, MI 48336
(O) 248-478-2525
(C) 248-798-5132
tunesailor@comcast.net
www.amrf.net



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One magical evening, Two extraordinary programs...

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There was magic in the air long before the band hit the stage for the 8th Annual Motor City Blues & Boogie Woogie Festival. The Award winning Paul Keller Orchestra had been rehearsing with local soloists Bob Seeley, Mr. B, Charles Boles, Dave Bennett and George Bedard for weeks during their regular Monday night gig at the Firefly Club in Ann Arbor, and the buzz in the street was palpable.

Three days before the show, Red Holloway arrived from California, and Axel Zwingenberger flew in from Germany. The interview shoots left the crew giddy. The dress rehearsal vibrated with chemistry and camaraderie. We knew we were going to capture something very, very special.

Within the first few bars of the opening number, Buddy Rich’s classic, “Basically the Blues,” the audience was whistling and cheering. Lindy-hoppers hit the dance floor. Executive Producer and AMRF President Ron Harwood drolly commented, “Well, I guess this was a good idea.” When the band launched into a rollicking version of “Sing, Sing, Sing” to close the first half of the show, he was on the dance floor himself.

It was well past midnight when the ecstatic house, still packed, demanded a second encore. By then it had become clear that one hour would not suffice to present this unique and exciting event. Instead we are proud to present two extraordinary programs: BIG BAND BLUES and BIG BAND BOOGIE WOOGIE. The programs are built around distinct narrative threads and stand alone, but when presented in this sequence they weave a tapestry illustrating the connections between blues, boogie woogie, swing music and jazz.

BIG BAND BLUES  SD Feed:  Friday, June 26 at 1200 et / SD 07
   (simultaneous HD feed on HD 03)
"If you cannot play the blues, you cannot play good jazz."
Red Holloway
"Some of the stuff John Coltrane and Miles Davis did was very, very innovative, but it was still the blues in the end."
Charles Boles
 

BIG BAND BOOGIE WOOGIE SD Feed:  Friday, June 26 at 1300 et / SD 07
   (simultaneous HD feed on HD 03)

"Boogie Woogie is happy blues." Bob Seeley 
"If it weren't for the big band movement and swing, boogie woogie would have been forgotten." Axel Zwingenberger

WATCH THE FIRST FIVE MINUTES FROM NETA

Coming August 1: 4 Shades of Blues

The American Music Research Foundation is a non-profit organization dedicated to the preservation, promotion, and documentation of American music.




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International Boogie Woogie Honored in Houston

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The American Music Research Foundation’s “International Boogie Woogie” was honored with a 2009 Gold Remi Award for Television or Cable Documentary at Worldfest, the 42nd Annual Houston International Film Festival. WorldFest is one of the oldest and largest film & video competitions in the world, with more than 4,500 category entries received from 33 countries in 2009. Awards were determined by points accumulated in juried viewings.

“International Boogie Woogie” documents solo and trio performances by four internationally acclaimed pianists at the 7th Annual Motor City Blues & Boogie Woogie Festival, augmented by interviews with the artists: Switzerland’s Sylvan Zingg, France’s Philippe LeJeune, and Canadians Kenny “Blues Boss” Wayne and Michael Kaeshammer. Wayne emigrated from California, and Kaeshammer from Germany.

“International Boogie Woogie” was originally uplinked by NETA in MAy 2008, NOLA INBM OK1. It is the most recent of four nationally distributed documentaries produced by the AMRF, a non-profit based in Farmington Hills, Michigan dedicated to the promotion, preservation, and documentation of American music. “Motor City Boogie Woogie & Blues Festival” was released in 2005, “Boogie & the Blues Diva in 2006, and “Gen2 Blues” in 2007.

The AMRF will release three new programs this year. Companions “Big Band Blues” and “Big Band Boogie Woogie” feature the Paul Keller Orchestra with pianists Charles Boles, Mr. B., Bob Seeley, and Axel Zwingenberger; saxophonist Red Holloway; clarinetist Dave Bennett, and guitarist George Bedard. “4 Shades of Blues” features Ruthie Foster, Ana Popovic, Tommy Castro, and Koko Taylor.

Executive Producer and AMRF Founder Ron Harwood said of the award, “I began filming these shows 10 years ago simply to document and preserve the excellence and elegance of underappreciated artists and genres. I never expected to win awards, but I am proud of our group’s achievements.” Producer and AMRF Director John Penney added, “It’s particularly appropriate that we received this award in Texas, the birthplace of boogie woogie.”

For a DVD containing the complete program
and an additional 45 minutes of bonus footage
call toll free 866-270-5141.
$25 includes postage and handling.

CONTACT: John Penney 248- 478-2525 tunesailor@comcast.net


 



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International Boogie Woogie: Motor City Blues & Boogie Woogie Festival

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The American Music Research Foundation is proud to announce release of the fourth in our series of public television programs from the annual Motor City Blues & Boogie Woogie Festival.
INTERNATIONAL BOOGIE WOOGIE has been distributed to stations nationwide by the National Educational Telecommunications Association. Individual stations may air the program at any time at their discretion, so contact your local station and let them know you want to see INTERNATIONAL BOOGIE WOOGIE! For a listing of currently scheduled broadcasts click here and be sure to check back often - listings are updated daily.

For a DVD containing the complete program
and an additional 45 minutes of bonus footage
call toll free 866-270-5141.
$25 includes postage and handling.
Or BUY ONLINE NOW

A pianist with a ferocious left hand rolling through eight-beats-to-the-bar is what comes to mind when you think of boogie woogie. The four pianists in INTERNATIONAL BOOGIE WOOGIE provide plenty of that while approaching the music from different perspectives. Switzerland's Sylvan Zingg demonstrates that, "you can boogie anything." France's Philippe LeJeune is a jazz pianist originally inspired by boogie woogie legend Memphis Slim. Vancouver B. C.'s Kenny "Blues Boss" Wayne learned boogie woogie from his church organist in Los Angeles, and Toronto's Michael Kaeshammer has been reinventing the genre ever since he heard boogie woogie as a child in Germany. The program ends with all four artists jamming in a classic eight-handed "train wreck." If you love the piano, the performances in INTERNATIONAL BOOGIE WOOGIE will amaze and inspire you.

WATCH  A 3 MINUTE TRAILER AMRF logo does not appear in actual program

ALSO AVAILABLE              

Gen2 Blues       
Boogie & the Blues Diva  

Contact:
boogie@amrf.net



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Gen2 Blues comes to Public Television

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WATCH FOR IT ON PUBLIC TELEVISION
BUY THE DVD WITH 75 MINUTES OF BONUS FOOTAGE

Childhood is different when your father is a famous blues musician; if you follow in his footsteps you bring a different perspective on music and history to your own artistry.  This is what unites the performers in Gen2 Blues: Motor City Blues & Boogie Woogie Festival. Kenny Neal is the oldest son of Raful Neal, Tasha Taylor grew up on the road with her father, Johnnie “The Wailer” Taylor, and Bernard Allison learned his first guitar licks by copying father Luther’s records.  Special guest Tito Jackson broke father Joe’s rule to not touch the guitar but if he hadn't it might not have been the Jackson 5.
  
Backed by the Phantom Blues Band these stellar performers create a joyous celebration of the blues. This program was recorded at the Royal Oak Music Theatre during the 7th Annual Motor City Blues & Boogie Festival in October 2005.

Click here  for rough-cut 3-minute sampler


 

    



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Four New Television Programs in Production

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At the American Music Research Foundation we don’t just put on concerts, record them, and make TV shows of great performances. Rather, as a 501(c)(3) our mission is to connect all the dots, demonstrate the continuity between musical styles over time and geography, and break through the artificial barriers that package music, musicians, and audiences in separate boxes. 
 
We are producing four new 60 minute television programs from the 2005 and 2006 Motor City Blues & Boogie Woogie Festivals and have created a new web page that contains samplers from these programs, as well as "Boogie & the Blues Diva," and "2003 Motor City Boogie Woogie & Blues Festival." Click here to go to the page, or click on the links below to watch the individual samplers.

Big Band Boogie Woogie  Big band music of the swing era was primarily for dancing, and nothing got dancers on floor like the eight-beats-to-the-bar boogie woogie beat. This program recreates the feel of those times and highlights the relationship between the blues, boogie woogie, and jazz. Performers include the 15 piece Paul Keller Orchestra, pianists Bob Seeley, Charles Boles, Mr. B., and Axel Zwingenberger, clarinetist Dave Bennett, saxophonist Red Holloway, guitarist George Bedard, and of course, the dancers. Watch the sampler!

Detroit Blues & Beyond The blues informs virtually all popular music in America, and Alberta Adams and Johnnie Bassett are acknowledged masters. Sir Mack Rice wrote some of the biggest R&B hits of all time, including “Mustang Sally.” Calvin Cooke is master of the "Sacred Steel Guitar," a tradition that comes from the Pentecostal Church and is heavily influenced by the blues. The Howling Diablos are a “rock band,” but their original music would not be possible without the blues. All of these artists are from Detroit. Watch the sampler!

Gen2 Blues The sons and daughters of blues artists have a unique perspective on the continuity of the tradition. Our performers include Bernard Allison, son of Chicago blues great Luther Allison; Kenny Neal, son of Raful Neal and a member of one of New Orleans' most prestigious musical families; Tasha Taylor, daughter of Johnnie “The Wailer” Taylor; and Tito Jackson of the Jackson 5. Performing with all of these artists is the Grammy-winning Phantom Blues Band. Watch the sampler!

International Boogie Woogie The American piano style called boogie woogie has spread around the world, and is particularly popular in Europe. This program puts on the same stage Germany’s Sylvan Zingg, France’s Philippe LeJeune, Toronto’s Michael Kaeshammer, and American expatriate Kenny “Blues Boss” Wayne, now residing in Vancouver BC.  Watch the sampler!

                
 


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AMRF Broadcast Schedule

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AMRF programs are distributed via satellite to public television stations nationwide by the National Educational Telecommunications Association. Individual stations may record the feeds and may air them at any time at their discretion. To date our programs have been broadcast over 1,500 times on over 340 stations across the country, available to 200 million individual viewers. Check here for broadcasts in your area - schedules are updated weekly.

The transition to digital transmission on June 12, 2009 provided broadcasters with three or four discrete broadcast channels. Stations listed below without a designated channel number are the primary digital channel 1. The numbers appended to the call letters denote which of the sideband channels the programs will appear on. Consult the directory for your digital service or cable provider to find out where they appear on your receiver.

Contact your public television station and tell them you want to see:

                                                 Corey Harris: Journeys
Station        Date        Day            Time       TZ                Market

KBDI            May 11    Sun             3:00am   MT               Denver, CO

KCET2      May 16      Fri              10:00pm  PT                Los Angeles, CA

KENW       May 16     Fri               10:00pm MT                Amarillo, NM

WESF       May 18     Sun              10:00pm ET                Orlando, FL

Detroit Blues & Beyond

Station        Date        Day            Time        TZ               Market

WNED         4/17        Thu              3:00am  ET              Buffalo, NY

WHUT         4/26         Sat             11:00pm ET              Washington, DC
                    4/27         Sun               3:00am ET                   

 

                    "Allen Toussaint: The Soul of New Orleans"

Station         Date       Day            Time         TZ              Market 
                                                       

     

                            "4  Shades of Blues"

Station         Date      Day         Time          TZ             Market

                

Big Band Blues

Station      Date       Day          Time        TZ            Market

    Big Band Boogie Woogie

Station       Date        Day         Time        TZ           Market

International Boogie Woogie

Station       Date       Day            Time         TZ               Market

 



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