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Upcoming Performances

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THREE ARTISTS WHO GRACED OUR STAGES RETURN TO THE MOTOR CITY

For 31 years Labor Day Weekend has been spelled J-A-Z-Z in Detroit. With over 100 performances spanning four days on six stages extending from Hart Plaza's waterfront up Woodward Avenue to Campus Martius, the Jazz Fest is one of our city's most important and enduring cultural institutions. Two of our favorite artists are playing the Fest this year.

Jason D. Williams honed his chops on Beale Street with the legendary Memphis Slim. His performance at the Redford Theatre during the 6th annual Motor City Blues & Boogie Woogie Festival threatened to bring down the rafters. The performance and interview footage can be seen on our DVD Boogie & the Blues Diva.
Jason D. returned for our intimate 11th Fest last year and tore up the stage at Callahan's Music Hall.
Jason D. Williams will tear up the Detroit International Jazz Festival's Chase Main Stage in Campus Martius on Sunday, September 5th, from 5:45 to 7:00pm.

 

 

 

 

 

New Orleans writer, producer, arranger, and Rock and Roll Hall of Fame inductee Allen Toussaint was inspired by Professor Longhair and later Fats Domino. As a producer for Minit Records in the 60’s, Toussaint played a primary role in defining the New Orleans R&B sound. He has written hundreds of songs that have been hits for everyone from Herb Alpert (Java) to the Rolling Stones (Fortune Teller). Allen performed at the 10th Annual Motor City Blues & Boogie Woogie Festival in 2008.
Allen Toussaint will perform solo on the DJF's Chase Main Stage   Monday, Sept. 6th from 5-6:30.

 

 

 

 

 

 

 

KENNY NEAL AT CALLAHAN'S!

Born in New Orleans and raised in Baton Rouge, Kenny Neal is the son of reknown bluesman Raful Neal. He grew up surrounded by music and steeped in the tradition. Kenny performed for us on the stage of the Royal Oak Music Theatre in 2005 and can be seen on the DVD Gen2 Blues. Make sure to see him in the intimate atmosphere of Callahan's, THE home of the blues in SE Michigan.

Kenny Neal performs at Callahan's Friday Sept. 10th at 8:00pm.



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Deroit Blues Society Headstone Project

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In 1911 Sylvester Russell wrote a eulogy for George Walker in the Chicago Defender, “See That His Grave’s Kept Green.” In 1927, two years before he died at the tender ago of 36, Blind Lemon Jefferson recorded the classic, “See That My Grave Is Kept Clean.” Compliance with these requests is difficult when graves are poorly marked or not at all, and this is sadly the case for too many of the greats who made vital and lasting contributions to our musical and cultural heritage.

 

The goal of Detroit Blues Society’s headstone project is to properly and respectfully mark the graves of Detroit Blues Legends. The project began in 1997 by marking the grave of Son House. Others beneficiaries include Clarence and Curtis Butler (The Butler Twins), Calvin Frazier, and Big Maceo Merriweather.  This year’s goal is to provide headstones for “Mr. Bo” Collins and “Uncle Jesse” White. We urge you to support DBS’s efforts by attending one or both of their fundraising events, at Cliff Bell’s in downtown Detroit this Sunday March 28th, and at Callahan’s Music Hall in Auburn Hills Sunday April 18th.

 

Uncle Jessie White is particularly dear to us at the AMRF. He was a performer at our very first Motor City Boogie Woogie Festival in 1999, and we are blessed to have captured the performance and an interview conducted by Mr. B for our archives. During the tumultuous year of 1967 Uncle Jessie began hosting weekend long house parties and jam sessions at his home on 29th Street in Detroit. The sessions continued through 1971 and are legendary for the local and national talent that passed through to play at the famous house. Uncle Jesse was a revered mentor and teacher to many and a fixture in the Detroit Blues scene. His 29th Street Blues Band performed for 20 years at the Attic Bar. Uncle Jesse passed at the age of 87 on January 29, 2008.  

 

Mr. Bo was a fixture in the Detroit blue scene from the 50's through the 70’s, performing with Washboard Willie, Little Sonny Willis, Eddie Burns and John Lee Hooker among many others. His best known composition, 1966’s  “If Trouble Was Money,” was recorded by Albert King and Charlie Musselwhite among many others. Mr. Bo succumbed to pneumonia at the age of 63 on September 19, 1995. 

 

 

 

 

 

 

 



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11th Annual Motor City Blues & Boogie Woogie Festival a success

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For 10 years the Motor City Blues & Boogie Woogie Festival got bigger. Bigger stages, bigger venues, bigger bands, bigger names - double that when the fest expanded to two nights in 2005 – more cameras and bigger crews, bigger video trucks…and much, much bigger bills.

 

This year, it was time to breathe.

 

At the 11th Annual Motor City Blues & Boogie Woogie Festival there were no cameras, no trucks, fewer cables, and you could count the crew on the fingers of one hand. We weren’t in a concert hall with 1701 seats and a proscenium augmented by a 30’ wide orchestra pit between the audience and the musicians. We were at Callahan’s Music Hall, where you can’t be much more than 50 feet from the stage or you’ll be in the middle of South Boulevard in Auburn Hills.

 

The artists were old friends already documented and brought back by popular demand; Kelley Hunt played for us at the Redford Theatre in 2003 and can be seen in our public television show and DVD, 2003 Motor City Boogie Woogie and Blues Festival. Jason D. Williams performed at the Redford in 2004 and appears in Boogie & the Blues Diva.

 

At this year’s two sold-out shows, audiences were treated to performances that were up-close and personal, in an atmosphere that can only be described as a good old-fashioned house party. You could see the sparks flying from Jason’s fingers, and the power of Kelley’s voice literally knocked you back in your seat.  

 

We cannot sing high enough praise for Callahan’s Music Hall. Since opening the doors two years ago, Callahan’s has become the blues club in SE Michigan. The folks there are in it for the music. Their priorities are to assure that the audience can see and hear and that the artists are comfortable. Their attention to both the house sound and the monitor mix on stage brings out the best in performers, and is a major reason why they too sing high praise for Callahan’s and return to the room again and again.

 

Sadly, our friend and master photographer, John Collier, was unable to attend this year. He was sorely missed. While we can’t match his artistry, we do have photographs. Enjoy the slideshow!  view slideshow

 

Thanks to all for making the 11th Annual Motor City Blues & Boogie Festival an unmitigated success!

 



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4 Shades of Blues Now on DVD

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NOW AVAILABLE ON DVD!!!

The Blues come in many shades, from electric to indigo. In this live program four brilliant artists present 4 Shades of Blues. Grammy winner and undisputed Queen of the Blues, the late Koko Taylor & Her Blues Machine perform in the low-down, gritty electric style of Chicago. TexasRuthie Foster explores the acoustic and gospel-tinged blues. Tommy Castro brings the funky side of blues honed in the San Francisco Bay area. Belgrade’s Ana Popovic is an electrifying guitarist who says, “I wanted to be too bluesy for jazz and too jazzy for blues.”

In addition to the complete program as seen on public television, the disc contains 35 minutes of bonus material presenting additional performances and interviews with the artists.

 

$25 includes postage and handling.  BUY ONLINE

OR CALL THE AMERICAN MUSIC RESEARCH FOUNDATION

 toll free 1-866-270-5141



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Big Band Blues & Boogie Woogie now on DVD

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NOW AVAILABLE ON DVD!!

The Paul Keller Orchestra with Mr. B, Bob Seeley, Charles Boles, Axel Zwingenberger, Dave Bennett, Red Holloway, and George Bedard.

This special 2 disc set contains two complete television programs, Big Band Blues and Big Band Boogie Woogie, and an additional 75 minutes of performances and interviews.

$35  includes shipping and handing  BUY ONLINE

OR CALL THE AMERICAN MUSIC RESEARCH FOUNDATION TOLL FREE

1-866-270-5141

Click here to check for public television broadcasts in your area

 



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Big Band Blues and Big Band Boogie Woogie

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BIG BAND BLUES
WATCH THE FIRST FIVE MINUTES

BIG BAND BOOGIE WOOGIE WATCH THE FIRST FIVE MINUTES


CONTACT: JOHN PENNEY tunesailor@comcast.net 866-270-5141 or 248-798-5132

 



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Koko Taylor, 1928-2009

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The passing of Koko Taylor brings an end to the era when sharecroppers became Blues Divas. Born in an environment where Black women had little chance of success, Koko’s restless mind, curiosity, determination and enormous talent led her from the plantation to royalty as the world’s undisputed Queen of the Blues. Her life story is so rich that those of any dozen of today’s pop/rock stars combined would pale in comparison.

The American Music Research Foundation is proud to have documented much of that story, and to have captured a great performance in a setting befitting a great Diva. Our forthcoming TV program "Four Shades of Blues” offers perhaps the last opportunity to see Koko as herself, and helps us all understand her enormous impact on the music world.

Koko joins more than 60 artists who have been similarly filmed by the AMRF and whose greatness and contributions to American music will be forever preserved.

Ron Harwood
President and Founder
American Music Research Foundation

"Grammy Award-winning blues legend Koko Taylor, 80, died on June 3, 2009 in her hometown of Chicago, IL, as a result of complications following her May 19 surgery to correct a gastrointestinal bleed. On May 7, 2009, the critically acclaimed Taylor, known worldwide as the “Queen of the Blues,” won her 29th Blues Music Award (for Traditional Female Blues Artist Of The Year), making her the recipient of more Blues Music Awards than any other artist. In 2004 she received the NEA National Heritage Fellowship Award, which is among the highest honors given to an American artist."
Click here for more information from Koko's official site.


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  • It was a pleasure to have worked for the AMRF boogie show. The pleasure to meet...more
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One magical evening, Two extraordinary programs...

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There was magic in the air long before the band hit the stage for the 8th Annual Motor City Blues & Boogie Woogie Festival. The Award winning Paul Keller Orchestra had been rehearsing with local soloists Bob Seeley, Mr. B, Charles Boles, Dave Bennett and George Bedard for weeks during their regular Monday night gig at the Firefly Club in Ann Arbor, and the buzz in the street was palpable.

Three days before the show, Red Holloway arrived from California, and Axel Zwingenberger flew in from Germany. The interview shoots left the crew giddy. The dress rehearsal vibrated with chemistry and camaraderie. We knew we were going to capture something very, very special.

Within the first few bars of the opening number, Buddy Rich’s classic, “Basically the Blues,” the audience was whistling and cheering. Lindy-hoppers hit the dance floor. Executive Producer and AMRF President Ron Harwood drolly commented, “Well, I guess this was a good idea.” When the band launched into a rollicking version of “Sing, Sing, Sing” to close the first half of the show, he was on the dance floor himself.

It was well past midnight when the ecstatic house, still packed, demanded a second encore. By then it had become clear that one hour would not suffice to present this unique and exciting event. Instead we are proud to present two extraordinary programs: BIG BAND BLUES and BIG BAND BOOGIE WOOGIE. The programs are built around distinct narrative threads and stand alone, but when presented in this sequence they weave a tapestry illustrating the connections between blues, boogie woogie, swing music and jazz.

BIG BAND BLUES  SD Feed:  Friday, June 26 at 1200 et / SD 07
   (simultaneous HD feed on HD 03)
"If you cannot play the blues, you cannot play good jazz."
Red Holloway
"Some of the stuff John Coltrane and Miles Davis did was very, very innovative, but it was still the blues in the end."
Charles Boles
 

BIG BAND BOOGIE WOOGIE SD Feed:  Friday, June 26 at 1300 et / SD 07
   (simultaneous HD feed on HD 03)

"Boogie Woogie is happy blues." Bob Seeley 
"If it weren't for the big band movement and swing, boogie woogie would have been forgotten." Axel Zwingenberger

WATCH THE FIRST FIVE MINUTES FROM NETA

Coming August 1: 4 Shades of Blues

The American Music Research Foundation is a non-profit organization dedicated to the preservation, promotion, and documentation of American music.




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International Boogie Woogie Honored in Houston

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The American Music Research Foundation’s “International Boogie Woogie” was honored with a 2009 Gold Remi Award for Television or Cable Documentary at Worldfest, the 42nd Annual Houston International Film Festival. WorldFest is one of the oldest and largest film & video competitions in the world, with more than 4,500 category entries received from 33 countries in 2009. Awards were determined by points accumulated in juried viewings.

“International Boogie Woogie” documents solo and trio performances by four internationally acclaimed pianists at the 7th Annual Motor City Blues & Boogie Woogie Festival, augmented by interviews with the artists: Switzerland’s Sylvan Zingg, France’s Philippe LeJeune, and Canadians Kenny “Blues Boss” Wayne and Michael Kaeshammer. Wayne emigrated from California, and Kaeshammer from Germany.

“International Boogie Woogie” was originally uplinked by NETA in MAy 2008, NOLA INBM OK1. It is the most recent of four nationally distributed documentaries produced by the AMRF, a non-profit based in Farmington Hills, Michigan dedicated to the promotion, preservation, and documentation of American music. “Motor City Boogie Woogie & Blues Festival” was released in 2005, “Boogie & the Blues Diva in 2006, and “Gen2 Blues” in 2007.

The AMRF will release three new programs this year. Companions “Big Band Blues” and “Big Band Boogie Woogie” feature the Paul Keller Orchestra with pianists Charles Boles, Mr. B., Bob Seeley, and Axel Zwingenberger; saxophonist Red Holloway; clarinetist Dave Bennett, and guitarist George Bedard. “4 Shades of Blues” features Ruthie Foster, Ana Popovic, Tommy Castro, and Koko Taylor.

Executive Producer and AMRF Founder Ron Harwood said of the award, “I began filming these shows 10 years ago simply to document and preserve the excellence and elegance of underappreciated artists and genres. I never expected to win awards, but I am proud of our group’s achievements.” Producer and AMRF Director John Penney added, “It’s particularly appropriate that we received this award in Texas, the birthplace of boogie woogie.”

For a DVD containing the complete program
and an additional 45 minutes of bonus footage
call toll free 866-270-5141.
$25 includes postage and handling.

CONTACT: John Penney 248- 478-2525 tunesailor@comcast.net


 



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In Words and Pictures: 10th Annual Motor City Blues & Boogie Woogie Festival

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Over the past decade the AMRF’s annual Motor City Blues & Boogie Woogie Festival has presented 59 artists (not counting supporting players) in 14 concerts and produced four nationally distributed public television programs. Three more programs will be on the air soon and four more are in production.

Our live audiences each night are treated to three or four hours of incredible performances by both legendary artists and those deserving wider recognition. Audiences are aware that we are filming for television – it’s hard to miss the looming  26ft. boom of the jib camera as it swoops in and away from the stage – but that’s about as far as it goes.

Each television program presents an hour of the best performances viewed from the best seats in the house, enhanced by interviews that bring viewers closer to the artists and their music. The DVDs contain about an hour of “extras,” including additional performances and extended interviews with the artists.

That’s a total of six hours of entertainment from each concert, 12 hours per year since the Festival expanded to two nights in 2005. Producing those 12 hours requires hundreds of hours of work by dozens of people. Planning for the next festival begins shortly after the last one ends.

We have written thousands of words about what we do and why we do it and could write a few thousand more about how our 10th Annual Festival was one of the most challenging but ultimately gratifying and important we have ever produced. But the cliché is that pictures are worth thousands of words and we have an unsurpassed collection of thousands of photographs documenting all of our festivals, including a few hundred from this one.

The photographer is John Collier, our long time friend who won many awards for his work at the Detroit Free Press. The slide show/photo essay linked below takes you behind the scenes with us during the final, frantic four days of this year’s production. We hope that the artistry of the photographs and the events they capture bring you as much joy as they have brought us.

Happy Holidays from all of us at the American Music Research Foundation 

THE 10TH ANNUAL MOTOR CITY BLUES AND BOOGIE WOOGIE FESTIVAL IN WORDS AND PICTURES.  view slideshow

 

THE AMRF IS A REGISTERED 501(C)(3) DEDICATED TO THE PROMOTION, PRESERVATION, AND DOCUMENTATION OF AMERICAN MUSIC SO THAT CURRENT AND FUTURE GENERATIONS MIGHT UNDERSTAND AND NOT FORGET  WHERE THEIR MUSICAL AND CULTURAL HERITAGE COMES FROM. FOR MORE INFORMATION OR TO MAKE A DONATION CONTACT BRANDI STRIBBELL AT BRANDIS@AMRF.NET OR TOLL FREE 866-270-5141



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Life, History, Music

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The words, “Life, History, Music,” loom large on the AMRF letterhead. If you have any questions about what those words mean to us, look no further that the cover story in the October 1, 2008 edition of Detroit’s Metro Times on Little Sonny Willis, a featured artist in our 10th Annual Motor City Blues & Boogie Woogie Festival at the Music Hall. See the pictures and read the article here.

 



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10 Years Young!

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The Motor City Blues & Boogie Woogie Festival has always been about more than just presenting a great annual concert or two. From the beginning it was conceived as a vehicle that would bring great artists together so that their performances and stories could be captured on videotape.The goal is to document and preserve our musical and cultural heritage so that future generations will have an opportunity to understand it. This is the mission of the American Music Research Foundation.  

As we celebrate our 10th anniversary we can look back with satisfaction on the history we have preserved and even some history we have made. We have documented the music and stories of over 59 artists, including such seminal figures as Koko Taylor, Johnnie Johnson, and Jay McShann. (For a complete list visit the artists page of our website.)

In 2004 Maria Muldaur recreated the sound and look of the Classic Blues singers of the 20's with James Dapogny's Chicago Jazz Band, a performance that inspired the best selling album, "Naughty, Bawdy & Blue," and the title of our TV show and DVD, "Boogie & the Blues Diva."In 2006 we presented 22 artists on stage for a night of Big Band Boogie Woogie, including performances in which world renowned solo pianist Bob Seeley played with a big band for the first time. In 2007 we reintroduced Frank "Sugarchild" Robinson, who disappeared from the scene after having been one of the biggest stars of the day as a child in the 50's.

We have produced four public television programs that have aired over 600 times on close to 200 stations across the country. Five additional hours of programming are in production, and this year's Festival will result in at least two more.

Throughout our 10 years, our good friend John Collier has documented our festivals with his brilliant photography.
VIEW A PHOTOGRAPHIC RETROSPECIVE OF THE MOTOR CITY BLUES &BOOGIE WOOGIE FESTIVAL.  view slideshow



AMRF Festivals and Concerts  History  

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  • Beautiful slideshow. I can't wait for the show this weekend!
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The 10th Annual Motor City Blues & Boogie Woogie Festival

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It's our 10th anniversary and we're proud to present a particularly rich array of artists with deep roots in boogie woogie, blues, gospel, and soul at the Music Hall Center for the Performing Arts in downtown Detroit.

General admission tickets are $35 each night, $75 VIP tickets provide you with mezzanine seating, complimentary buffet, and a cash bar. Available at the Music Hall box office (313-887-8500) and through ticketmaster.

For more information click here. or call toll free 1-866-270-5141.



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Thanks for Stopping By!

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It was a pleasure to meet you at Elizabeth Park during the Jazz on the River Festival last weekend!

The American Music Research Foundation is a non-profit dedicated to the promotion, preservation, and documentation of American music, focusing on blues, gospel, ragtime, boogie woogie, jazz and rhythm and blues so we can provide a vehicle for generations to understand the historical significance of our American musical heritage. You can visit us at www.amrf.net

This year we celebrate the 10th Anniversary of our Annual Motor City Blues & Boogie Woogie Festival. The performances and interviews with the artists will be recorded for posterity, and the footage used to produce nationally distributed  programs for public television.

Your name has been entered into a drawing for tickets to this year's festival. The winner will be announced in early September. We look forward to seeing you at Music Hall October 3rd and 4th!

 

 

 

 



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10TH ANNUAL MOTOR CITY BLUES & BOOGIE WOOGIE FESTIVAL

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The 10th Annual Motor City Blues & Boogie Woogie Festival was hosted by the Detroit Music Hall Center for the Performing Arts on Friday October 3 and Saturday October 4, 2008. The performances and interviews with the artists were recorded and will be used to produce nationally distributed programs for public television. For our 10th anniversary we were proud to present a particularly rich array of artists with deep roots in the blues, boogie woogie, gospel, soul, and rhythm and blues.

 

FRIDAY OCTOBER 3

 

 

 

 

Allen Toussaint - New Orleans writer, producer, arranger, and Rock and Roll Hall of Fame inductee Allen Toussaint was inspired by Professor Longhair and later Fats Domino. As a producer for Minit Records in the 60’s, Toussaint played a primary role in defining the New Orleans R&B sound. He has published some 800 songs that have been recorded by everyone from Al Hirt ("Java") to Irma Thomas, Bonnie Raitt, and Labelle.

 

 

 

 

 

 

 

 

 

 

 

 

 

Pinetop Perkins is the last of the original boogie woogie pianists. Perkins spent 12 years playing with Muddy Waters before going out on his own. The Blues Foundation named him Blues Pianist of the year so many times that it eventually “retired” him from the award and named it after him. In 2005 he was given a Grammy Award for lifetime achievement.

 

 

 

 

 

 

 

 

 

 

 

 

Willie "Big Eyes" Smith was born in Helena AR and moved to Chicago when he was 17. He began sitting in with Muddy Waters' band in 1957 and soon beame a permanent member, playing live and on all of Muddy's Grammy winning albums. Willie then formed the Legendary Blues Band with Pinetop Perkins, Louis Myers, Calvin Jones, and Jerry Portnoy. The group recorded four critically aclaimed albums and received several Grammy nominations.

 

 

 

 

 

 

 

 

 

 

 

Bob Seeley - Detroit’s own Bob Seeley will return to the Festival to celebrate his 80th birthday. Seeley is revered around the world as one of the greatest solo boogie woogie players working today.  A friend and contemporary of none other than the legendary Meade Lux Lewis, Seeley plays with a fire and conviction reminiscent of Lewis, Pete Johnson and Albert Ammons.

 

 

 

 

 

SATURDAY, OCTOBER 4

 

 

Bobby Rush began performing in the juke joints of northern Louisiana as a teenager. He moved to Chicago in the mid-50’s, where his bands included the likes of Fredie King, Earl Hooker, and Luther Allison. Rush calls his music “folk-funk,” deeply rooted in tradition but decidedly modern. Rush was inducted into the Blues Hall of Fame in 2006, and in 2008 was honored by the Blues Foundation as both  Acoustic Blues Artist and Male Soul Blues Artist of the year.

 

 

 

 

 

 

 

Otis Clay is one of the premier deep soul and gospel singers working today. Born in Mississippi, Clay began performing with such legendary gospel groups as the Pilgrim Harmonizers and the Sensational Nightingales. He moved to Chicago and launched a solo career as a deep soul singer with a series of hit singles in the mid-60’s. His raw, fiery vocals drive an energetic and danceable blend of soul, R&B, and Blues.

 

 

 

 

 

 

 

 

Aaron “Little Sonny” Willis, “King of the Blues Harmonica,” is known for his hot, driving sound and is one of the most respected artists  in Detroit. Willis began singing gospel and spirituals in church as a child in Alabama and became interested in the blues after his mother gave him a toy harmonica. He moved to Detroit in 1953 and has been performing in the city and around the world ever since.

 

 

 

 

 

 

 

 

 

 

 

Eddie Burns – Burns grew up in the Mississippi delta where his grandfather ran the local juke joint. He began playing harmonica and picked up the guitar after settling Detroit in 1948. Burns worked as a member of John Lee Hooker’s band and backed him on the legendary recording, “Real Folk Blues.” He has been a fixture in the Detroit Blues scene ever since, with numerous recordings and international tours to his credit.

 

 

 

 

 

 

TICKETS AVAILABLE FROM THE MUSIC HALL BOX OFFICE AND TICKETMASTER



AMRF Festivals and Concerts  Artists  Blues  Boogie Woogie  Rhythm and Blues  

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